"FoodWriting" news and stories

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For me, it's cured fish or perhaps cold, leftover dark-meat chicken, gnawed bare-handed and shared with my minimally patient dogs.

For my husband -- who can't tolerate the smell of the pickled herring I down like a rabid porpoise -- it's almost inevitably the nearest Chinese joint's chicken and mixed vegetables sauteed in brown sauce, chased by a bourbon Old Fashioned, muddled from the unpretty orange that tags along in the delivery bag. The cocktail, I can fully support. The gloppily sauced crinkle-cut carrots have featured prominently in several of my nightmares.

These are rituals of a chosen solo cuisine, and Deborah Madison, author of "What We Eat When We Eat Alone", says it's not at all unusual that we're so diametrically opposed.

Deborah Madison: People eat what their spouses don't like a lot of the time. A number of men said of blood sausages, 'My wife doesn't like blood sausage, so when she's gone that's what I cook.'

Slashfood: How did you get started on this topic?

DM: Many years ago, I was invited to go with Oldways Preservation and Trust -- which is a food think tank out of Boston -- to a lot of Mediterranean countries. I got to bring my husband, who's an artist, and he was just a little awkward, I think. He didn't really know people but knew of them so he started asking this question kind of as a way of breaking the ice. He kept a little notebook and I never knew about this until I found it when we were moving a few years later.

SF: So many of the people you interviewed have common experiences -- they'll make a big steak or have herring. And then there were some that didn't fit the mold. What was the strangest thing you heard?

Read more about solo toast, herring and margarita mix after the jump.

If you've ever wanted to learn how to write about food and turn that knowledge into a career, then Institute of Culinary Education (ICE) has introduced just the thing for you. They've created the Center for Food Media, which offers a range of professional development classes dealing with food and media.

The Center for Food Media offers classes on all aspects of food writing (recipes, blogs, restaurant reviews), food history and pop culture, podcasting, and food styling. You can also learn about writing cookbooks and how to deal with agents, and how to be a TV chef. Coming next year will be classes on wine writing and recipe testing. Classes start at $75 (for a one session class), which is a quite reasonable amount to learn some things that should help further your career.

[Via Eater]

I've stumbled across something of an food writing crisis. Namely, my problem stems from the fact that I don't always want to feature cookbooks in a column that is clearly labeled "Cookbook of the Day." In the past, I've stretched the limits of the category, spotlighting books of essays that include a few recipes or even once writing about a cookbook that teaches you how to cook for your dog. Today's Cookbook of the Day is a volume written by Calvin Trillin, one of the greatest food writers to ever live. However, it does not contain a single recipe.

In spite of the fact that it doesn't offer the reader lists of ingredients and cooking instructions, Alice, Let's Eat is a book that is rooted firmly in the world of eating and pleasure. First published in 1978, it contains essays that were previously published in the New Yorker, The Atlantic Monthly as well as other publications. Despite that, it reads like a cohesive volume, taking the reader to barbecue joints in North Carolina, local markets in England and crawfish stands in Martinique.

This is one of the books that I turn to when I start to lose touch with my love for food, when the busy-ness of life prevents me from fully appreciating the process of shopping, cooking and eating. Lately I've been struggling to see food as a joy and have instead seen it as just one more thing I have to deal with. Trillin always sees eating as a pleasuresome adventure and his enthusiasm usually helps me shake off my malaise and jump back into the joy of food.

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The most recent edition of the New York Times Book Review features a write-up of A Stew or a Story, a new collection of short pieces by M.F.K. Fisher assembled by Fisher biographer Joan Reardon. The NYT review doesn't exactly make you want to run out and snatch up a copy, however. From what reviewer Julia Reed has to say, many of the pieces in the collection are less than essential reading. Rather, they're mainly instructive pieces that don't feature much of the intertwining of food and emotion for which Fisher was known. Still, if you're already a fan, as I am, A Stew or a Story sounds to be worth a look. If, however, you're looking to get into M.F.K. Fisher, as any human who reads and eats should, perhaps the best place to start is The Gastronomical Me, which is available as a standalone volume or as part of the collection The Art of Eating.

Congrats and a huge round of applause for S'kat, aka Shelley Rauch, in Virgina. Her blog S'kat and the Food has long been on the regular reading list here at Slashfood HQ and has caught the eye of a local newspaper. She is now a full-time, "proper journalist."

Her latest post explains all. From the joy and excitiment of writing on her blog, which was launched just as an outlet for her photography and writing, through to the newspapers approach. Shelly will be writing a weekly restaurant review for the newspaper and two food related stories per month.

Great news that a talented blogger has found regular work with something she loves. (Her blog is changing too and will be at http://dailypress.com/skatandthefood)

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